Among the vast scene of acoustic folk that’s been part of the indiepop world for many years now, Manchester’s Laurie Hulme is one of the most interesting and original artists – by virtue of his music writing but also by virtue of the subjects his songs revolve around. His 2016 debut was inspired by stories of (and hence a tribute to) his late grandfather. This gave the album its title and it also provided the band name he’s been using since, Songs For Walter. Read on
Our third short and sweet indiepop radio episode proudly features Lost Ships, Night Shop, and more. Stream directly below or listen to the show over on Mixcloud.
The guy on the left is Justin Sullivan. Yeah, I know, and no, not that one. This Justin Sullivan used to play drums in a US indie band called The Babies – a band led by singer and songwriter Kevin Morby that we have to confess we’d never heard of before finding Sullivan’s debut solo album, In The Break. Listening to The Babies, it is obvious that ignoring them for so long hasn’t been our smartest move, they’re really good. So their drummer has just released his own record under the moniker Night Shop. Read on
One of the most under-appreciated phenomena in pop music is bands that remain true to themselves in the course of their career. The dynamics of attention to the most recent song / release / show seems to require a constant need to re-invent oneself or at the very least make giant steps in whatever direction away from the last song / release / show. Read on
What to call this: You release your first record at the age of 17/18 to widespread international acclaim and excited cries of „flawless guitar pop“ and then follow it up two years later with something that will have no critic even think about the overused phrase „difficult second album“? We call it true class, yeah. The Goon Sax have just confirmed themselves as such a class act with album no. 2, We’re Not Talking. Read on